تحلیل کارکرد مقامات موسیقی ایرانی در شعر تأثیر تبریزی

نویسندگان
دانشگاه آزاد اسلامی واحد تبریز
چکیده
شعرا و نویسندگان ادوار گذشته بخشی از پیام­آوران تاریخِ مکتوب ملت­ها و تمدن­ها هستند که غور و تتبع در آثار ایشان به تبیین بیشتر و بهتر فضای حاکم در روزگار حیات مؤلف و جغرافیای زندگی وی کمک می­کند. با توجه به اهمیت شعر و موسیقی در فرهنگ ایرانی، بررسی زندگی، اندیشه و آثار شعرا و موسیقی­دانان هر دوره تاریخی به واکاوی دقیق­تر خصوصیّات و رفتارهای فرهنگی در جامعه آن دوران و ابعاد مغفول مانده اندیشه ایشان منجر می­شود. میرزامحسن تأثیر تبریزی یکی از شعرای برجسته و خوش­آوازه سبک هندی است که فراوانی واژه­های موسیقایی در شعر وی، برآمده از علاقه و آشنایی قابل تأمل او با این هنر می­باشد. بخشی از اصطلاحات تخصصی که شاعر در مضمون­پردازی خود از آن بهره برده، نام مقامات و شعبات موسیقی است که امروزه به دستگاه­ و گوشه­های ردیف موسیقی ایرانی مشهور هستند و تا کنون هیچ پژوهشی در این زمینه بر آثار تأثیرتبریزی انجام نشده است. در این جستار میان­رشته­ای با مطالعه کتابخانه­ای دیوان شاعر و تحلیل ابیاتی که با استفاده از اسامی مقامات و شعبات موسیقی سروده شده­اند، به نقش این اصطلاحات در خلق مضامین تازه و مفاهیم مدنظر شاعر پرداخته­ایم.
کلیدواژه‌ها

عنوان مقاله English

Analysis of the function of Iranian music officials in the poem Ta'sir Tabrizi

نویسندگان English

Mojtaba Asgharnasab
Aiyoub Kooshan
Hamidreza Farzi
Islamic Azad University, Tabriz
چکیده English

The poets and writers of the past eras are part of the messengers of the written history of nations and civilizations, and studying their works helps to explain more and better the prevailing atmosphere during the author's lifetime and the geography of his life. Considering the importance of poetry and music in Iranian culture, examining the lives, thoughts and works of poets and musicians of each historical period leads to a more detailed analysis of the characteristics and cultural behaviors in the society of that period and the neglected dimensions of their thought. Mirza Mohsen Ta'sir Tabrizi is one of the prominent and melodious poets of the Indian style, whose abundance of musical words in his poetry is due to his considerable interest and familiarity with this art. Part of the specialized terms used by the poet in his theme are the names of the authorities and branches of music, which are known today as the institutions and corners of the Iranian music hierarchy, and so far no research has been done in this field on the works of "Ta'sir Tabrizi". has not been In this interdisciplinary essay, we have studied the library of the poet's divan and analyzed the verses that were written using the names of the authorities and branches of music, and we have discussed the role of these terms in creating new themes and concepts intended by the poet.

کلیدواژه‌ها English

Ta'sir Tabrizi
instrumental music
Indian style
authorities
interdisciplinary
- Artimani, Razi-ol-Din (1373), Diwan Razi-ol-Din Artimani, edited by Ahmad Karami, Tehran: Ma Publications.
- Ataraei, Arfa and Mohammad Reza Darvishi (2014), Iranian Instrumentation, Tehran: Iran Textbook Publishing Company.
- Ta’sir Tabrizi, Mirza Mohsen (1373), Diwan Ta’sir Tabrizi, edited by Amin-Pasha Ejlali, Tehran: Iran Academic Publishing Center.
- Haddadi, Nosratollah (1376), Dictionary of Iranian Music, first edition, Tehran: Totia Publishing.
- Hazin, Mohammad Ali (1375), Tadzkire-ul-Maaserin; Introduction, corrections and additions: Masoume Salek, Tehran: Written Heritage Publication.
- Khaleghi, Ruhollah (1389), A Commentary on Music, second volume, Tehran: Safi Alisha Publications.
- Dehkhoda, Ali-Akbar (1377), Dehkhoda dictionary (16 volumes); Under the supervision of Dr. Mohammad Moeen and Dr. Seyyed Jaafar Shahidi, Tehran: University of Tehran Publishing and Printing Institute.
- Zakerjafari, Narges (2016), The life of musical instruments in Iran's musical history (from the Ilkhanid period to the end of the Safavid period), Tehran: Mahor publishing house.
- Setayeshgar, Mehdi (2011), Dictionary of Iran Zamin Music; (Volume 1), Tehran: Information Publications.
- Setayeshgar, Mehdi (1385), Dictionary of Iran Zamin Music; (Volume II), Tehran: Information Publications.
- Sanaei, Majdoud ebn Adam (1388), Diwan Sanai of Ghaznavi; By the efforts of Mohammad Taghi Modares-Razavi, Tehran: Sanai Publications.
- Safari, Sonia (2018), musical terms and their poetic and semantic forms, Tehran: Sureye Mehr Publications.
- Abd al-Momen ebin Safi-al-Din (1346), the treatise on the music of Behjat al-Rouh, with the introduction, introduction and notes of H.L. Rabino de Borgomale, Tehran: Farhang Iran Foundation Publications.
- Farhat, Hormoz (1388), Instrumentation in Iranian Music, translated by Mahdipour Mohammad, Tehran: Part Publications.
- Maraghi, Abdul Qader bin Ghaibi Hafez (1356), Al-Maqasid al-Han, under the efforts of Taghi Binesh, Tehran: Institute of Cultural Studies and Research attached to the Ministry of Culture and Higher Education.
- Mallah, Hossein Ali (1351), Hafez and Music, Tehran: Art and Culture Publications.
- Mallah, Hossein Ali (1363), Manochehri Damghani and Music, Tehran: Art and Culture Publications.
- Meysami, Seyyed Hossein (2017), Safavid era music, Tehran: Taalif Publishing House, translation of "Metan" artistic works publication.
- Vojdani, Behrouz (2021), Comprehensive Encyclopedia of Iranian Music (two volumes), Tehran: Circle Publications.
- Hedayat, Mehdigholi (2022), Majma-ol-Adwar; The second time: Compiled by Al-Naghm, rewritten by: Shahab Mena, Tehran: Khoniyagar Publishing House.
articles
- Alavizadeh, Farzaneh Sadat, Interdisciplinary Studies of Comparative Literature, Its Methodological Approaches and Identity Crisis of Comparative Literature, Comparative Literature Journal, Autumn and Winter 1400, Year 13, Number 25, pp. 179-207.
- Masih-Far, Fatemeh, Music in the Safavid Period, Tarikh-Pazhouhi Magazine, spring 2012, year 15, number 54, pp. 199-218.